In considering
our discussion today, of Locke and Johnson and their receptions to reading, I
wanted to continue the debate over who is more optimistic about the ability of mankind to reason and arrive at correct and truthful conclusions. First,
let us consider Locke’s evidence concerning reading and readership: “Those who
have read of every thing are thought to understand every thing too ; but it is
not always so. Reading furnishes the mind only with materials of knowledge; it
is thinking makes what we read ours. We are of the ruminating kind, and it is
not enough to cram ourselves with a great load of collections; unless we chew
them over again, they will not give us strength and nourishment.” Here, Locke
claims that the mere act of reading does not necessarily improve one’s
knowledge or one’s mind, as we can see through the example of Arabella. However,
as Locke point outs, Arabella’s flaw is that she does not think about what she has read, she takes it at face value rather than
seeing it as fiction or romance. However, Locke notes that we are of ‘ruminating
kind’ who must chew things over in order to digest the meaning of a work. Locke does not say that all classes of people have the ability to do
this, however, and considering his ‘tabula rasa,’ one needs the proper foundation to have
any reason at all.
Turning
attention to Johnson, Rambler Number 4, let us consider his argument as well: “But
the fear of not being approved as just copyers of human manners, is not the
most important concern that an author of this sort ought to have before him.
These books are written chiefly to the young, the ignorant, and the idle, to
whom they serve as lectures of conduct, and introductions into life. They are
the entertainment of minds unfurnished with ideas, and therefore easily
susceptible of impressions; not fixed by principles, and therefore easily
following the current of fancy; not informed by experience, and consequently
open to every false suggestion and partial account.” Although on the surface
this seems to be a negative critique, Johnson’s underlying meaning must be
ascertained. Although saying that much of the masses are young, ignorant and
idle who would take this literature as a realistic guide to life, such as
Arabella does with her French Romances, he appeals to a much broader audience
of people to be targeting.
However, it seems that Johnson feels these
minds are easily penetrated with ideas, he seems to feel that the mind is more malleable
than Locke who believes the foundation is the key to arriving at the correct ‘truth.’
Johnson is much more concerned with the guidance a person can be given, despite
age or social status. He does not see their prior learning, or lack thereof, to
have ingrained principles into them, unlike Locke. His comment on the ‘current
of fancy’ might seem to at first have a negative connotation but the ability to
take in, process and choose is implied here, whereas Locke discounts it
entirely if the foundation is not built or built correctly. From this, it seems
that Johnson’s theory could lend just as usefully to examining Arabella as Ross’s
assertion that Lockian theory does. Johnson’s ideas would even paint her in a
more favorable light, that she could be changed and guided, which is what we as
readers hope, versus Locke basically saying that she is a broken record for which
there is no fix.
You blog makes me think about Lennox's views on Locke. We really don't know what they are, in that there's no recorded evidence of them, but what if we were to read the novel, in part, as Lennox's reaction/response to Locke? It's curious to me that Arabella's mind is perfect in every way (or so we're told) except in her views on courtship and love. It's as if her mind has followed Lockean precepts for taking in sensory data and eventually using that data to form complex ideas and reason for everything it has encountered except for romance novels.
ReplyDeleteIs that believable? For me, finding is less than believable suggests that Arabella might have motivations for her behavior that don't stem from her reading. I'm not claiming that she's conscious of other motivations, but given the agency, power, and drama that she claims as her right as a heroine, perhaps ill-informed reason alone can't account for her behavior.
I agree. Had Arabella simply been a woman who adhered to romances, she would consider their situations purely as if they were her own in very aspect of her life. However, her motivations and reasoning, even when the divide is between reality and her version of reality. If she can reason everything else, she can certainly reason her views on love and courtship; this stunted education would not be an exception or special consideration to her sensory data, so it seems that Locke cannot explain all of her ability to reason, nor can he account for the emotional forces that drive Arabella as well.
ReplyDeleteI'd have to agree. Maybe this just makes her more unbelievable? She can reason perfectly, or so we're told. She does reason throughout the novel if that's any evidence. I think that Arabella's 'perfect' mind and her believing life is a French romance just makes this more of a fantasy to me.
ReplyDeleteI wonder too about the connection between Lennox and Locke's theories. Locke seems to be an absolutist, things once set in stone are absolutely unchangeable. In the end, Lennox seems to be refuting this. Arabella is malleable as Johnson suggests people are, she is open and able to adopt a change of world view as shown by her acceptance that the romances were not based in fact. So the answer to this seems to be that Lennox, though giving a nod to Locke's basic premise is showing that it's not carved in stone, and that there's always the possibility for enlightenment and change in any individual so long as they have the ability to accept an alternative way of thinking and grow from it.
ReplyDelete